‘Survivors Guilt’ forces us to feel more of Dave’s pain. Hearing Dave have it up with the cream of the crop is like playing the final level of the game: all the bosses – Fredo, Meekz, Ghetts, and Giggs – appear in majestic opulence, backed by an angelic choir, all rapping about getting to the top while being “under fire” from the haters, struggling with street beefs and dealing with unwanted attention from police. ‘In the Fire’ is a shining example of this. He can sell songs with the best of them while still being super wordy with his delivery – a feat that many hip-hop artists have tried to emulate but failed at. When we compare Dave even to other members of rap’s upper echelons, he stands out like a GOAT amongst sheep. But as he discussed on his debut album, Psychodrama – and gets deeper into on this exceptional follow-up – he battles with the contradictions he appears to feel with being the breadwinner in his family while so many around him are far worse off.īut when it comes to rapping ability, or to questions about his writing skills, there is no struggle whatsoever. To many, this would be a dream come true. As his lifestyle became more extravagant, so did his style of rap.ĭave doesn’t only have a unique place in the rap scene: being a millionaire at the tender age of twenty-three puts him in the one per cent. Streatham’s own, Dave, started off as the latter, but he’s developed the ability to become the former. There’s those who hit you straight upside the head with braggadocious lyrics, like Skepta or Giggs and then there’s the ones who are more technical, using complex wordplay and witty metaphors to grab your attention, like Ghetts or Wretch 32. “I felt instinctively there was historical importance to it,” Spheeris declared.There are two types of rappers. She insisted that what was going on in Los Angeles back then was unique and she could feel it whenever she visited all the underground clubs. In a recent interview, Spheeris reflected on 40 years of The Decline of Western Civilisation and spoke about why she felt the need to document the punk scene. The Decline of Western Civilisation’s soundtrack was made up of songs by bands such as Black Flag and Alice Bag Band, iconic works through which Spheeris painted a comprehensive picture. Everybody appreciates what music can do for film, but what film can do for music” while talking about the amplified narrative possibilities of the union of music and cinema. Grohl added, “It’s awesome, what film can do for music. I didn’t see the movie for years! So I fell in love with the record first.” He felt that he was destined to be a musician because of his innate musical abilities that were evident even in his early years. “I think I was like 12 years old when I heard it, and I had the soundtrack first. “It’s so raw and gritty and real, it totally captured the vibe of that era and that genre of music,” Grohl revealed. The film chronicles the landscape of punk rock in Los Angeles during the late ’70s, often cited as the greatest documentary on the subject. Grohl has maintained that the soundtrack to Penelope Spheeris’ 1981 masterpiece The Decline of Western Civilisation inspired him more than any other work. However, there was one particular documentary that had the most direct impact on Grohl’s life and convinced him that his purpose in life was to be a musician.
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